Opener Warband has finished recording its own album, which is being mastered by doom/art-sludge icon James Plotkin, formerly of Khanate and officially linked to Sunn O))), Isis, Earth, and OLD. That's set for a September release, according to the band's website.
June 2009 Archives
Opener Warband has finished recording its own album, which is being mastered by doom/art-sludge icon James Plotkin, formerly of Khanate and officially linked to Sunn O))), Isis, Earth, and OLD. That's set for a September release, according to the band's website.
Show (probably) starts a little earlier than usual Pilot Light time--it's scheduled for 9 p.m., with an opening set by sorta locals Jose P Orchestra. Admission is $10, 18 and up.
Musicians' Twitter posts collected at Pitchfork: M.I.A. says the first two English words she spoke were "Michael Jackson." " the future sucx!"
Ben Greeman at The New Yorker: "Jackson, who was unlike anyone else in so many ways, made his name performing music that convinced everyone else that he was like them in so many ways."
Jon Pareles at The New York Times: "The world-beating success of "Thriller" was Mr. Jackson's triumph and burden. He had the sales, the Grammy Awards, the screaming audiences in every country he toured. And he would spend the rest of his career trying to repeat the experience working many of the same maneuvers into his music: another duet, another rock guitar, another ratcheting dance track. Mr. Jackson never stopped being catchy, but behind the sheen some of the songs grew darker and stranger, like "Smooth Criminal," with its intimations of violence, on the 1987 album "Bad.""
Ann Powers in The L.A. Times: "Throughout his career, Jackson never let go of the mandate -- and privilege -- to transform. It became the great source of his art, and his biggest burden. "Magic is easy if you put your heart into it," he told Sylvie Simmons in Creem magazine in 1983. But magic, the delusion of illusion, also might be what destroyed him."
Comprehensive coverage at Vibe.com, including a fairly recent but undated Q&A.

The last track on Jamey Johnson's album That Lonesome Song is called "Between Jennings and Jones," which is right where Johnson's discs fit in the record store bins. (That Lonesome Song fits right between Jennings' Lonesome, On'ry and Mean and Jones' Cold Hard Truth on my office CD rack.) It's supposed to be a metaphor for Johnson's music, too, though there's really not much of George Jones in it. But he does sound a lot like Waylon Jennings, not just because of that cavernous baritone but as a songwriter, too--that two-step shuffle rhythm is all over That Lonesome Song.
Sundown in the City saved the best for last. Johnson headlines tonight's final 2009 concert, with locals Brendon James Wright and the Wrongs opening. Music starts at 7 p.m.
The Old City Live music series picks up where Sundown leaves off next Thursday with Mic Harrison and the High Score on the big outdoor stage behind Southbound Bar & Grill in the Old City.
I caved on Sunday morning's breakfast, buying a six dollar breakfast burrito at one of the food stands, but it was worth it after a weekend of ramen and peanut butter and jellies.
The first show that I really wanted to see was Andrew Bird at 4:15, so the morning was spent cruising around tents and seeing friends that had made the trip to Manchester for the weekend. I've heard good things about Ted Leo and the Pharmacists show, but I had seen them before, so I wasn't too worried about missing them. Citizen Cope also came on, but as a prior visitor to his shows, they are pretty awesomely mediocre (in my head, at least). Plus, I could hear his show my tent, so I guess I did see him (or at least hear him). The time was used to pack up the car, so that we could leave and beat the traffic after the Phish show.
Andrew Bird is a guy that I have been listening to for a long time and was excited to finally see. It's not a show to get all too excited at; it's a pretty mellow show. I will say that it was pretty impressive watching him maneuver his fiddle, guitar, loop pedal, vocals and whistling all at once. Quite a juggling act. Highlights of this show for me were "Nervous Tic Motion of the Head to the Left" leading into "Fiery Crash," as well as "Cataracts" and "Fake Palindromes."
Next up, Snoop Dogg. He was about thirty minutes late, which was a little frustrating, but once he walked on the stage and "The Next Episode" started blasting, all was forgiven. His interjections between songs were as hilarious as they were numerous (Last words before walking off stage: "Smoke weed, motherf***er!"), and seeing "Gin and Juice" live is something that everyone should experience at least once in their lifetime. It was a blast, and highlights included "Doggystlye" and a cover of House of Pain's "Jump Around."
Finally, the last set of Phish. I was curious to see how long they would go, because I know that other closers like Widespread Panic have been known to go deep into the night. The first set was great. Great performances of "AC/DC Bag," "Gotta Jiboo," "Character Zero," "Run Like an Antelope" and "Bathtub Gin," and then, lo and behold, Bruce Springsteen graces the stage. It was funny to see Trey Anastasio get a little bit star-struck. He introduced him, saying that The Boss in New Jersey was the third show he had ever seen, and that he decided from then on that every show should have that much energy. As Bruce crooned "Mustang Sally," you could see Trey absolutely cracking up, completely giddy. It made me not sad that I missed the end of the Bruce show when they played a pretty stirring rendition of "Bobby Jean" then "Glory Days." The first half of the second set was definitely the weakest of the weekend for Phish, as they got a lot more "jammy," with long jams that, again, were not their best. Once they got to "46 Days," it started to pick up. It was a long time coming, but they busted out "Farmhouse," and then premiered "Backwards Down the Number Line." Ending the second set with "Prince Caspian" and "First Tube" provided the crowd with plenty to cheer about to bring them back out for an encore. The encore was some of Phish's strongest work of the weekend, starting with "Suzy Greenberg" and then "Tweezer Reprise." And then, it was off to the packed car, the road and home.
When you leave Bonnaroo, it is like you are leaving Never Never Land (the Peter Pan one, not the Michael Jackson one). You leave a place where you don't have to worry about anything: homework, deadlines, even the time and the day of the week for that matter, to head back to the daily grind. If there is one word to describe Bonnaroo, it would be "relentless." It just never stops (well it does, but only between 5:00 am and 12 pm), especially in years where it gets really hot. You're always hot, you're always thirsty, you're always completely exhausted, but you're always listening to awesome music (having to choose between Phish and Public Enemy was like choosing one child over the other) and you're always having an awesome time. There are times when you love Bonnaroo and times when you hate it (when you're trying to get your fifth hour of sleep at 9:00 am but can't), but when I pulled into my house at 4:00 on Monday morning, I couldn't help but miss i a little bit already. Will I ever go again? Who knows? Has it gotten overpriced or over-commercialized? Probably. What is for sure is June 11-14 of the year 2009 will be days that I will be remembering for a long time.
June 13 - Day Three.
Saturday started off like any other day at Bonnaroo: a little too hot and a little too early. It seems that our luck with the weather was starting to run out as the tent was too hot to sleep in by 9:30. So, not really awake but not asleep, I made breakfast: Ramen and peanut butter and jelly. The breakfast of champions. We finished up just n time to head over to the cinema tent and catch the tale end of Blame it on the Fish, the Primus movie. It was nice because a) I love Les Claypool, b) it was dark in there and c) it was air conditioned. With those three thngs combined, I couldn't miss it.
After the movie we headed over to The Which Stage, to see the 12:00 show of Bonnaroo's surprise guest: Jimmy Buffett. Seeing Jimmy Buffett was definitely fun in a novelty kind of way. First, I grew up on Jimmy Buffett. Songs like "Volcano" and "Cheeseburger in Paradise" were songs that were played in the road-tripping minivans of my childhood. It was a great noon summer concert, a laid-back, light-hearted show to start off the day. While the older spectators in attendance (and there were quite a few) were pounding liquor drinks and doing the mashed potato, I was more content sitting and relaxing in the mist tent, listening and reminiscing about times past, while Mr. Margaritaville covered "Brown-eyed girl."
I wanted to see Rodrigo y Gabriela, but they didn't start for another couple of hours, so I went out in search of cheap food. My tastebuds had been dulled by Cup-o-Noodles, and I needed variety. Walking down the main shopping area outside of Centeroo, I saw it. Shining like a beacon in front of me is a sign, a sign so beautiful that angels must have written it: World Famous Garlic Grilled Cheese Sandwiches. $1. At a festival where a beer is $6 and a pack of cigarettes ran you $15, something that cheap is hard to come by. Overwhelmed, I bought five, ate two, and wrapped up the rest and put them in my backpack.
Saturday was a relaxing day, because outside of Of Montreal, there was nothing that I was dying to see until the late-night shows. This allowed me to relax in mist tents at the back and listen to the bands without standing up with all of the people at the front. So, this is what I did at Rodrigo y Gabriela and Gov't Mule. Both were good shows (including a cover of Radiohead's "Creep" at the Mule show), but I had seen both of them before.
Of Montreal was a band that I was interested in from the start, because they are a band that I have grown to like a lot lately, especially their album "Hissing Fauna Are You The Destroyer?," but I didn't know how well their act would translate to a live stage. I was not disappointed. An Of Montreal concert is almost like an improv musical theater performance, with multiple costume changes and theatrics sprinkled throughout their show. Kevin Barnes and co. were decked in out in their trademark glam-rock garb, and the projector behind them was wild as they played songs mostly off of newer albums like "Skeletal Lampings," but really shone during old favorites like "Party Crashing Us Now."
I went over to check out a little bit of The Mars Volta at The Which Stage. I only have the album "Frances the Mute," which is a little outdated, so I was interested to see what the Volta had to offer. An hour later, I felt like my brain had been put through an egg beater and had to leave. They put on a good show with a lot of energy, but I didn't know any oft he songs that they were playing, so I left. I swung by This Tent and saw The Decemberists put together a great closer: Heart's "Crazy On You" that got a huge response from the crowd. While I wasn't there, I hear that The David Grisman Quintet put on a great show, with Fishman and Gordon from Phish making guest appearances.
Next up: The Boss at The What Stage. To be honest, I didn't even stay for the whole Bruce Springsteen show. Yes, Bruce Springsteen has historically been a great live act, but I had to keep in mind what I had come to the festival to see, and Bruce Springsteen was not that high on the list. I was much more excited for the Nine Inch Nails and MGMT shows, so I left before the Bruce Springsteen finished, went back to the tent and got some Gatorades so I could pull through for the next three and a half hours. So, I headed over to The Which Tent to get a decent spot for Nine Inch Nails' 1:00 show.
I will say that Nine Inch Nails was incredible. Their lights were mind-boggling, and Trent Reznor really knows how to perform. He made one mention about how Bonnaroo was going to be Nine Inch Nails' last US tour date before their much-publicized hiatus ("It just dawned on me that this is our last show ever in the United States. Don't be sad. I'll keep going. But I think I'm going to lose my mind if I keep doing this, and I have to stop.") in between screaming into the microphone and throwing his guitar against the back wall. As a person who only had a superficial knowledge of Nine Inch Nails, they made me a believer. Highlights for me were "The Hand that Feeds," "I'm Afraid of Americans" (David Bowie cover) and the closer: "Hurt." A lot of people in attendance were claiming that this was the highlight of the festival, and it was definitely a close second to Phish night one for me. It is a shame that such a great band is slowing down, but it was great to see them go out with a bang, and I am proud to say that I was there. A hefty 20 years after their debut, "Pretty Hate Machine" in 1989, Nine Inch Nails is finally getting some well-deserved time off.
Dazed, I headed over to That Tent to catch the synth sounds of MGMT. I got to the show a little late (because of the NIN show) but got there for the good stuff. Again, I was pretty exhausted, so I would definitely be interested in seeing this band again (especially since I had just been blown away by NIN), but the highlights for me were seeing "Time to Pretend" lead right into "Electric Feel," two songs that have been slowly permeating the college party scene. I didn't know too much about this band going in but I was excited to see them, and they did not disappoint. It was just a fun late-night show, and I will definitely be listening to more MGMT after this weekend.
I hit the hay at about 4:00 Sunday morning, happy about my five hours of sleep that I was about to get. From everything I heard Ben Harper put on a good show and moe. went deep into the night, but I am happy with the way my Saturday turned out.
Stay tuned for a recap of Sunday, including great shows by Andrew Bird, Snoop Dogg and the final Phish show.
Until then,
Your bona fide Bonnaroo blogger
Bonnaroo Friday started out a little later than usual, since the clouds were doing their job and completely covering up the sun after a long night of storming and tornado warnings for central Tennessee. And we woke up to a flooded tent.
A little backstory: We brought a five person tent for the two of us, so that we could have space for living: chairs, coolers, gas grills, etc. The only problem was that we didn't check the tent's bag, and didn't realize until we arrived that our tent was missing its rainfly. Luckily, I had my smaller two-person tent in my trunk, so we were able to sleep in that, but the monsoon that was Thursday night took its toll. Our larger tent that we were spending our time when we weren't sleeping that was missing its rainfly was flooded with water about 2 inches deep.
After tipping over our tent to get the water out, we started our lunch, which I would recommend to any person at a festival or camping or just cooking with a gas stove. Here is a little Bonnaroo recipe for you:
Take jalapeno peppers, cut off the stems, cut them in half length-wise and hollow them out so you have a bunch of canoe-shaped jalapeno bowls. Boil these in water for about fiveminutes (put in Ramen noodle flavoring if you're feeling frisky). Take the peppers out, fill the bowls with cream cheese, wrap them in bacon, and cook them on a griddle until the bacon is cooked. It's easy, delicious, and camp-stove-friendly. Try it out.
So, after our gourmet lunch, we headed over to Centeroo to see Toubab Krewe at The Other Tent at 12:30. I was excited to see them, because this is a band that I had heard a lot about, but had never actually seen live. The band doesn't sing, they have a traditional drummer, an alternate African percussionist, a bass, a guitar, and their closest thing to lead instrument is a 21-string West African harp called the kora, played by Justin Perkins. They were an amazing start to my Friday, and when they broke it down into a five person drum circle at the end of the show, the crowd was bouncing up and down to their tribal beats. I'm going to go out on a limb and say that these guys were a highlight and the biggest surprise of the festival for me. There were bands that were better, but I knew they would be great. I didn't know what to expect from the Asheville-based Krewe, but they know how to bring it. In short, if you don't know Toubab, you best get to learnin'.
My biggest up was followed by my biggest down: not sticking around to see Animal Collective. I watched a little bit of them, but really wanted to check out the Galactic show on the main stage. From what I hear, Animal Collective is at their best right now, and, having seen Galactic a couple times, I don't think they put on their best performance. The Galactic show was good, but I don't think the time or the place was right. If Galactic had played a later show on one of the smaller stages (like That Tent, where I saw them play with Jurassic 5 and Lyrics Born in 2007), it would have been a better performance for them, since they are a band that feeds so much off of crowd energy. Congrats to Galactic, however, for getting a big-time crowd at a big-time venue. The What Stage at Bonnaroo is a dream venue; it is truly larger than life. (Side note: Corey Henry was the most talented musician on the stage. I don't know what his plans for the future are, but he is young and extremely talented with the trumpet and trombone. It will be interesting to see what he does in the future).
Leaving Galactic, we cruised by the Yeah Yeah Yeahs and Grizzly Bear on the way back to our tent. We didn't stick around long for either, because we wanted to get some rest for the big night, but it was nice to see the Yeah Yeah Yeahs play a slow, acoustic version of Maps. We headed back to our tents for some food and to sit down and recharge for the night.
8:00 rolls around and we are walking back into The What Stage to catch the Beastie Boys. As a big David Byrne fan, I was bummed that I had to miss him, but seeing the Beastie Boys is one item on my live music "bucket list." I was a little disappointed in the Beastie Boys show, because they stayed in a traditional band set-up for a long time, something that I was expecting to see occasionally, not the majority of the show. I was expecting to see a DJ and three MC's, but instead saw a DJ, a guitar, bass, and vocals with more of a Rage Againstthe Machine-style of hard rock plus an MC. When they did more of their old-school stuff was when I most enjoyed the show. Legendary rapper Nasshowed up in the middle of the show, but it was a strange appearance, because he only came out for one song, and, if I remember correctly, didn't even have a solo. He just sang along with the choruses and stuff, and then one song later was gone. When they announced Nas'sarrival, the crowd went wild, but, in the end, it wasn't that big of a deal. Highlights of the show for me were Inergalacic Planetary and No Sleep Till Brooklyn.
Next up, the moment we were all waiting for: Phish, Bonnaroo 2009, 11:00 at The What Stage. For me, a younger Phish fan, I started listening to Phish after they broke up, so in my head, they were like The Beatles, Pink Floyd and Led Zeppelin: great bands in the past that I would never actually be able to see. I wasn't even going to go to Bonnaroo this year, but when they announced that Phish was playing two shows, I knew this would be my best opportunity, considering how quickly they sell out other venues. There was a lot of questions in my head coming up to the show (as I said in an earlier post) about how the time off would affect their performance, but they put those thoughts to rest quickly.
They started out with a bang, with an explosive rendition of Chalkdust Torture. It looked like they had never stopped playing. Trey Anastasio was still piling on guitar solos, Mike Gordon still looked like a bobble-head Snoopy character, plugging away and bouncing his head to the beat, Page McConnell was hacking away at the ivories, and yes, Fishman was wearing a dress. Highlights of the show (to me) were Chalkdust Torture, Down with Disease, Alaska, Harry Hoodand a cover of Highway to Hell. Follow that up with a cover of The Beatles' A Day in the Life, and that is one amazing concert. In my head, it lived up to all the hype (the good hype and the bad hype) and I would definitely see one of the most prolific live bands of all time play again.
After the Phish show, it was kind of hard to get hyped up for another concert. I did check out Girl Talk for about 15 minutes, but Girl Talk is a guy that I have seen several times already, and the crowd was too big to get really close to. It was a wake-up call for me, because I didn't realize how big and popular Girl Talk actually was. Mr. Gillis probably had the biggest crowd that I saw at That Tent all weekend, so kudos to him for his monstrous success. This was the same problem I had in 2007. After seeing bands like Tool (in 2007) or Phish this year, it is hard to get up for another show after seeing bands like that. I had a good time at The Pretty Lights show, but they are a band that I would like to see again, because it would have been a lot more fun if I was up and energized, but the reality was it was getting close to 4:00 in the morning and I had been hearing live music all day, so I was crashing pretty hard.
So, with the mini-earthquakes from the bass vibrating through my head and fireworks still going off in the sky, I laid my head to sleep about two and a half hours before the sun would come again.
Stay tuned! Daily wrap-ups of Saturday and Sunday of Bonnaroo 2009, including MGMT, Nine Inch Nails, Snoop Dogg and another Phish show!
Until then,
Your bona fide Bonnaroo blogger
We are about two campsites to the right and a couple rows back from Centeroo, a five minute walk, which is relatively very close compared to the people 30-45 minutes away from the stages. Which brings up the first difference to me from my previous visit, in 2007. While it's only been two years, Bonnaroo has changed a good bit. First of all, the festival has gotten much more commercialized. There are at least twice as many stores, anywhere from Garnier Fructis stores to "Festy gear," for anyone who wants to look the part at Bonnaroo. I was contemplating this monetization of Bonnaroo while sitting at the comedy tent, or rather, The Comedy Sweet Humored by Butterfinger.
In fact, the image of Bonnaroo being just a field of hippies has gone with the times. Sure, there are still the fair share of tie-dyed Dead fans that you would have at any live music festival (especially one where Phish headlines), but they are definitely a plurality at best now, if not completely outnumbered. The truth is that Bonnaroo has gone very mainstream, and you will see anyone from college frat boys to families of five at this festival. Bonnaroo has become a tourist attraction for central Tennessee and a huge moneymaking opportunity for local vendors. It's kind of like Rent-A-Car for the hippie lifestyle. Want to come be a hippie for a weekend and then go back home? Come on down to Bonnaroo...
Until the night. At night, the families go to bed, the drug dealers are cruising the tents and posting up on the street corners, and the underbelly of the Neo-Hippie shows itself. Bonnaroo at night is like a haunted circus, a scene straight from Fear and Loathing. It is the last vestige of what the festival used to be.
The good news about the popularity of the festival is that they can get really big names. Having Phish play two shows pretty much guaranteed that the festival would sell out again this year, and it is obvious in the campsite. So many people are playing Phish in their car stereos, getting themselves pumped up for the show tomorrow. Rumor has it that Phish was playing a sound check with a couple practice songs this afternoon, but people weren't allowed through the gates.
Other than that, some names that I am interested in seeing: The Beastie Boys, Snoop Dogg, Gov't Mule, Of Montreal and MGMT. As a person that never got into Bruce Springsteen too much, I hope seeing him live will get me listening to him some more. Having seen Girl Talk a couple times, I'm excited to see him again as well.
Day 1- Thursday night at Bonnaroo is always kind of a warm-up but also a letdown. After waiting in line for a couple hours, you unpack and are ready to see some great music. There is always pretty good bands, but nothing by way of headliners. Usually, you can find some music that you like, and for me that band was People Under the Stairs.
Stay tuned! Coming up in the next day or two is my recap of the rest of the weekend, everything from Andrew Bird to Snoop Dogg.
Until then,
Your Bona fide Bonnaroo Blogger
General admission, doors at 6 p.m., music at 7 p.m. First come first served--once capacity's reached, no one else gets in.
Sundown in the City is still on for Market Square. From AC Entertainment:
Tonight's Sundown in the City continues rain or shine! Gates open at 6 p.m.
Norwegian quartet Katzenjammer kicks off the show at 7 p.m. Grace Potter &
the Nocturnals takes the stage around 8 p.m. Both bands are on their way to
perform at this weekend's Bonnaroo Music & Arts Festival in Manchester.
Grab your all-weather gear and come on down for a great night of music on
Market Square!
Buffett's playing around noon on Saturday, June 13, with Ilo Ferreira and the Coral Reef All-Stars.

Tonight's Sundown in the City with Shooter Jennings and 1220 is being moved from Market Square to the Tennessee Theatre. General admission, doors open at 6 p.m., music at 7 p.m.
MP contributor John Sewell just wrote this story about the band, based on a phone interview with Cervenka. X is playing at the Bijou Theatre on Wednesday, June 11--Cervenka says the diagnosis won't affect the tour.


