Recently in Bonnaroo Category

roo report #9: Afterthoughts

| | Comments (0) | TrackBacks (0)
There is always too much to see and too much to say about Bonnaroo, so with the dirt finally washed off my feet and the layers of sunscreen and sweat mostly scrubbed away, a few final notes:

-- If you go to Bonnaroo, do your best to get out of your tent (or your RV, for you softies) in time for the early sets of the day every day. It will be worth your while. As in previous years, the programmers kicked off Friday, Saturday, and Sunday with noon-ish sets by some spectacular performers specifically chosen to get the party started. Friday brought Trombone Shorty's brass funk; Saturday, it was the Senegalese legend Baaba Maal leading a drum-driven ensemble through some fiery Afro-fusion; and best of all was the Sunday set by the Tuareg band Tinariwen, whose deep desert-blues grooves were a perfect antidote to Saturday night excesses.


IMG_4511.JPG

roo report #7: Knoxaroo

| | Comments (0) | TrackBacks (0)
During Bonnaroo the city limits of Knoxville seem to temporarily stretch all the way to Manchester. As usual there are a lot of familiar faces on the farm, both in the crowds and on the smaller showcase stages.

Photos after the jump:

As if. Jay-Z's closing set on the main stage Saturday illustrated a lot of things, some of which weren't exactly news (e.g., Jay-Z is a great rapper and a great showman). But it was interesting how completely he owned the Bonnaroo collective. The under-25 crowd knew all the words to songs that came out a decade ago or more. If you don't think of "Big Pimpin'" or "Jigga What, Jigga Who" as classic rock yet, their reception from 70,000 or so Bonnaroovians says it's probably time to start. 

So anyway, Jay ruled the main lawn. And he did it following a terrific set by Stevie Wonder, who ran through hits from "Uptight (Everything's Alright)" to "Superstition," and showed off the continued relevance of the keytar. Stevie was great. Jay was a level above that, a guy at the peak of his career playing to a field filled with kids who grew up on his music. When he brought out "Young Forever," to a crowd of raised lighters, cell phones, and glowsticks, the song shed the cheesy sense of pandering that clings to it on The Blueprint 3 and turned into something heartfelt and huge. 

roo report #5: Glimpses

| | Comments (0) | TrackBacks (0)
IMG_4250.JPG

IMG_4252.JPG


IMG_4253.JPG

There's music here, too. Some good things:

-- MIIKE SNOW. Swedish-American trio including the two guys who wrote and produced the immortal "Toxic" for Britney Spears, playing a kind of rocked-up dance music full of crescendos and flashing lights. 

-- BLITZEN TRAPPER. West Coast indie folkers (Sub Pop is still indie, right?) who know their Dylan and their Dead. Some nice songs and amiable grooves.

-- THE XX. I didn't see their Bijou show at Big Ears, which seems to be most remembered for those kids making out in the balcony. But it was interesting to see them in this setting, closing out Thursday night to a tent full of thousands of people who wanted a reason to jump up and down. The xx refused to oblige, not heating up their chilly postpunk a single degree and keeping everything at a determinedly even keel. It did not make for a gripping show, but it  produced an interesting tension.

-- ELIZABETH COOK. I don't know anything about her, but she was playing pretty-good country rock when I happened by her set at the Troo Music Lounge, a small showcase space. Then she said she was going to put on her dancing shoes, and she: Tap shoes, specifically, which she then put to use on a dancing board that she unfolded onstage. I suppose what she was doing was technically clogging or something, but in any case, it sounded good and was fun to see.

-- TROMBONE SHORTY & ORLEANS AVENUE. Trombone Shorty opened this year's Sundown in the City season with a loose blast of New Orleans funk-rock, and he did the same for Bonnaroo on Friday. Under an already-baking sun, he delivered shout-outs to his hometown and both in word and song, winding up with a stomp through "When the Saints Go Marching In" that managed to not seem like pandering.

-- THE NATIONAL. Wow, these guys were tight, in a way that made more clear to me their debt to Joy Division. (You have to dig through some seemingly stock rock posturing to get to it, but it's there.)

-- TORI AMOS. I'd never gotten around to seeing her before, even though I've loved her for years (or at least her first three records -- if there's good stuff beyond that, you'll have to tell me about it). Playing alone at back-to-back keyboards, she looked and sounded fantastic, giving rich readings to her own catalog ("Hey Jupiter," "Silent All These Years") and those of others (Lloyd Cole's "Rattlesnakes," "Lovesong" by The Cure).

-- DARYL HALL & CHROMEO. How many Hall & Oates songs do you know by heart? All of them, of course. It was instructive to see a crowd young enough to be Daryl Hall's wayward children light up in recognition at Top 40 gem after gem: "Private Eyes," "I Can't Go for That," "You Make My Dreams." The spritely R&B grooves were a pleasant contrast to the bombast of the Flaming Lips laboring through Dark Side of the Moon at the other end of the grounds. 

-- KID CUDI. A late-night set showcased his noirish electro-hip-hop and showed that he's more than just his big hit (even if the big hit is still his best song).

-- LCD SOUNDSYSTEM. Cranking up around 2:30 Friday night and playing until I-couldn't-tell-you-when, James Murphy and crew showed that the "soundsystem" part of their name was never intended ironically. They're a really good dance-rock band, and the warmth in Murphy's deadpan vocals is more obvious live than on their recordings. 

roo report #3: Hug It Out

| | Comments (0) | TrackBacks (0)
Jonathan Sexton (of Knoxville generally and the Big Love Choir more particularly) was hard at it Friday afternoon at Bonnaroo, hugging an attempted 24-hour world record number of people. Including me. I was just standing there taking pictures, when he said, "Are you going to hug me, or just take pictures?" Which is one of the more novel pick-up lines I've ever encountered...

Anyway, Jonathan I think needs 8,000 and then some. Which is probably the approximate number of Bonnroovians in the porta-potties at any given time. (And really, using up the last of the toilet paper is kind of a dick move...

roo report #2: Galoshes

| | Comments (0) | TrackBacks (0)
Having apparently seen the limits of Crocs, the young women of Bonnaroo have settled this year on rubber boots as protection against the muck and grime. They don't breathe so well, but they do keep the toes out of the mud (and the worse-things-than-mud that inevitably become part of the Bonnaroo landscape). But that doesn't mean they can't be cute. Pink is the preferred color, with decorative flourishes including daisies and butterflies. How your feet will smell in the tent at the end of the day is your problem, but smelling anybody's feet at Bonnaroo is best left to the fetishists anyway.

roo report #1

| | Comments (0) | TrackBacks (0)
Blogging about Bonnaroo has become sort of a cliché in itself. You show up, you write about the heat, the humidity, the hippies, the hash. So, yes. Let's stipulate all of that. They all seem to be present and accounted for.

Still, Thursday is the quiet day. The two big stages are empty, and the big lawns in front of them are vast grassy areas for lazy frisbee or lazier sprawling. The day's lineup is a mishmash of psych (the Entrance Band), metal (Baroness), electronic something or other (Miike Snow, Neon Indian), and the oddball head-to-head of Wale and the xx closing it out. 

Fashion watch: So far, I have seen one pair of Vibram FiveFingers, and at least three women with magenta hair. And lots and lots of cargo shorts. Lots.

Update: Four women with magenta hair. And an equal number wearing either fairy wings or funny animal ears. The Romper Room aspect of Bonnaroo is either endearing or cloying, depending on your age or your mood.
The announcement of the Bonnaroo lineup rolled out on an exhausting Tuesday afternoon on the festival's MySpace page and more effectively on its Twitter feed, essentially making lunch and publication deadlines an afterthought--and also serving as a reminder of just how lumbering and obsolete an old-fashioned newspaper can sometimes seem. It's already old news, right?

Some online commenters were frustrated by the official announcements. The entire roll-out process, in fact, prompted enough complaints that "#lineupfail" became a popular Twitter tag.

Here's the full lineup: The Avett Brothers, the Flaming Lips, Weezer, Medeski Martin & Wood, John Fogerty, Cross Canadian Ragweed, Ingrid Michaelson, Phoenix, the xx, Regina Spektor, Mayer Hawthorne, Wale, Steep Canyon Rangers with Steve Martin, Norah Jones, Bassnectar, OK Go, Monte Montgomery, Jay-Z, the Punch Brothers, Thievery Corporation, GWAR, She & Him, Jimmy Cliff, Tokyo Police Club, Kid Cudi, Japandroids, Dr. Dog, Baaba Maal, Neon Indian, the Zac Brown Band, the National, John Prine, Dave Matthews Band, Dave Rawlings Machine, Local Natives, Dropkick Murphys, Manchester Orchestra, Jeff Beck, Jay Electronica, the Postelles, the Carolina Chocolate Drops, Rebelution, Damian Marley and Nas, Needtobreathe, Tenacious D, the Black Keys, Jamey Johnson, They Might Be Giants, the Entrance Band, Lotus, Nitty Gritty Dirt Band, Clutch, Tori Amos, the Melvins, the Dodos, Kings of Leon, the Dead Weather, Rise Against, Deadmau5, Martin Sexton, Blitzen Trapper, the Gaslight Anthem, Mumford and Sons, Trombone Shorty and Orleans Avenue, Baroness, Julia Nunes, Here We Go Magic, Tinariwen, the Disco Biscuits, Diane Birch, Lucero, Isis, Miranda Lambert, Kris Kristofferson, LCD Soundsystem, Brandi Carlile, B.O.B., Darryl Hall with Chromeo, Edward Sharpe and the Magnetic Zeros, Blues Traveler, the Temper Trap, Michael Franti and Spearhead, the Dan Deacon Ensemble, Les Claypool, Mike Snow, Against Me!, Calexico, Hot Rize, and Stevie Wonder.

About this Archive

This page is a archive of recent entries in the Bonnaroo category.

Big Ears is the previous category.

CD reviews is the next category.

Find recent content on the main index or look in the archives to find all content.